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La Lumi​è​re Artificielle

by Alejandro Albornoz

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1.
Overture 08:01
2.
La Lumière 09:44
3.
La Luz 09:44
4.
The Light 10:00
5.

about

The cycle La lumière artificielle
This is an acousmatic octophonic cycle which was composed as part of my PhD Thesis portfolio (Albornoz 2018) between 2015 and 2018 at the University of Sheffield Sound Studios, UK. In this album you can listen to the five pieces of the cycle in stereo binaural versions.
The original eight channel version and a coming soon special 5.1 version of the cycle can be downloaded using the link provided by Pueblo Nuevo netlabel.
Original release:
pueblonuevo.cl/catalogo/la-lumiere-artificielle/
All the information can be found in the booklet that accompanies the album here:
archive.org/download/pncd12/pncd012_alejandro-albornoz_la-lumiere_booklet_eng.pdf

credits

released November 25, 2022

Cycle “La Lumière Artificielle” (2015-2018) – Original format 8.0

This edition includes original versions in 8.0 and special versions in 5.1 (soon) and binaural stereo (CD/online).

All pieces composed by Alejandro Albornoz between 2015 and 2018 at Studio 6, University of Sheffield Sound Studios, Sheffield, United Kingdom.

Recording, mix, mastering and format transferings by Alejandro Albornoz at En el Jardín [composer’s personal studio] and at the Laboratorio de Tecnología y Arte del Instituto de Acústica de la Universidad Austral de Chile, Valdivia, Chile, 2021.

Artwork by Mika Martini.

Archive illustrations: The Commons.

Additional images and texts by Alejandro Albornoz.

Bio portrait by Alan Gavin & Will Leeming 2016, Sheffield, UK).

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about

Alejandro Albornoz Valdivia, Chile

Chilean electroacoustic composer and performer. He studied in Chile with Rodrigo Sigal and Federico Schumacher and with Adam Stanović and Adrian Moore in the UK. He has a PhD in Electroacoustic Composition from the University of Sheffield. His research addresses composition and analysis of acousmatic pieces, both in multichannel and stereo,
in which voice, poetry and algorithms are present .
... more

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